| KEYNOTE:
"Being
An Artist in a Professional World" with Marcia Ross
|
| 
By
popular demand, the Stage, Screen and Television Actors' Conference
we will also offer a SHOWCASE allowing professional and intermediate
level conference participants to audition for the assembled faculty
and receive individual, written feedback. Those interested
in performing in the showcase should bring 14 headshots w/resumes.
Please see
our apointments page for more SHOWCASE details: SHOWCASE
For
definitions of professional and intermediate status,
CLICK
HERE
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WORKSHOP
PRESENTATIONS:
“Auditions
– You At Your Very Best" with
Stephen Elton
“Auditioning:
Stage vs Screen" with D. Candis Paule
"Breaking
Into Commercials - What to expect on a commercial audition"
with Tina Real
“Breaking
Into Voice Overs” with Nanci Washburn
"Broadway
in Reality: Top Ten FAQs of Kids & Adults When Building a
Career in Theatre" with Jodie Bowman & Jacole Kitchen
"The
Business & the Bull of Acting For Television & Film"
with Adam Marcus & Debra Sullivan
“Embracing
Your Type and the Nuts and Bolts of Acting” with Frank Catalano
“Getting
a San Diego Agent” with
Frank DiPalermo
“Musical
Theatre – Finding The Right Song for You and Your Audition” with
Brian Wells
“Practicalities
of Being An Actor In New York and Los Angeles” with
Gary Zuckerbrod
“Resume
Preparation and Headshots” with
Nanci Washburn
"Ten
Mistakes Not to Make” (When trying to Land a Part) with Stacey
Lev
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MASTER
CLASSES:
"Auditioning
for Film" with Marcia Ross
If you are going to attend Ms.
Ross’s Master Class, sides will be available at the beginning
of class.
“Film,
Soaps, Episodics and New Media” with Nanci Washburn
Ms. Washburn will provide sides
in class for her Master Class.
"How
To Own The Room Once You Get In: Auditioning for Film and Television"
with Adam Marcus & Debra Sullivan
"Landing
a Part for a TV Series or Pilot" with Stacey Levy
Sides for this Master Class will
be distributed in class.
"Mastering
the Commercial" with Tina Real
If
you are attending Ms. Real’s Master Class, sides
will be available at the beginning of class.
“Mastering
The Monologue For Audition And Performance" with Frank Catalano
"Musical Theatre - Connecting Lyric
to Music" with Troy Magino
If
you are attending Mr. Magino Master Class,
prepare a song of under 3 minutes.
“The
Other Person in the Monologue" with
Douglas C. Smith
-
for beginning and intermediate actors. This class is an opportunity
to improve monologue performance by strengthening the connections
between text, context and subtext. Participants should bring the
text of a memorized monologue not exceeding 1 1/2 minutes.
"Refining
the Best Song for You and Your Audition” with Brian Wells
For
his Master Class Mr. Wells asks those who would like to perform
in class to bring a selection of songs, one minute in length.
Bring a CD and or sheet music accompaniment.
“Transforming
Your Monologue Into Memorable Theatre” with Sam Woodhouse
Actors
wishing to perform should prepare a 3 to 4 minute monologue. |
| FACULTY |
POSITION
|
ORGANIZATION |
PRESENTATIONS
/
CLASSES /
MASTER CLASSES |
AUDITION
CONSULTATION
APPOINTMENTS |
| JODIE
BOWMAN |
TALENT
AGENT |
KAZARIAN
SPENCER & Associates (KSA) |
PRESENTATION:
Broadway
in Reality: Top Ten FAQs of Kids & Adults When Building a
Career in Theatre |
|
| FRANK
CATALANO |
PROFESSOR
OF THEATRE ARTS |
UNIVERSITY
OF SOUTHERN CALIFORNIA |
PRESENTATION:
“Embracing Your Type and the Nuts and Bolts of Acting,”
MASTER CLASS:
“Mastering The Monologue For Audition And Performance.
Please prepare a monologue between 1 and 2 minutes in length. |
|
| FRANK
DIPALERMO |
TALENT
AGENT |
SHAMON
FREITAS AGENCY, SAN DIEGO |
PRESENTATION:
“Getting a San Diego Agent” |
Mr.
DiPalermo invites you to do Q & A or prepare a monologue(s)
no long than 1 ½ minutes suitable for television and film. |
| STEPHEN
ELTON |
CASTING
DIRECTOR |
NORTH
COAST REPERTORY, SAN DIEGO |
PRESENTATION:
“Auditions – You At Your Very Best" |
For
these appointments, the participants may structure their time including
Q & A, monologue(s), song(s) or a combination of all 3. |
| STACEY
LEVY |
CASTING
DIRECTOR |
SPECIALIZING
IN HOUR AND HALF-HOUR TV |
PRESENTATION:
"Ten Mistakes Not to Make” (When trying to Land a Part).
MASTER CLASS:
"Landing a Part for a TV Series or Pilot."
Sides for this Master Class will be available at the registration
desk on the morning of the conference or will be distributed in
class. |
|
| ADAM
MARCUS |
FILM
DIRECTOR |
DAMN
SKIPPY THEATREWORKS |
co-PRESENTATION:
"The Business & the Bull of Acting For Television &
Film"
MASTER CLASS:
"How To Own The Room Once You Get In: Auditioning for Film
and Television"
|
Prepare
a monologue from 1 1/2 minutes to 4 minutes that would be suitable
for television or film. |
| TROY
MAGINO |
CASTING
DIRECTOR |
THEATRE
WEST |
MASTER CLASS:
“Musical Theatre – Connecting Lyric to Music.” To perform in the
Master Class, prepare a song no more than 3 minutes. Bring sheet
music. |
Prepare
songs and/or monologues under 4 minutes in length. |
| D.
CANDIS PAULE |
CASTING
DIRECTOR |
STU
SEGALL PRODUCTIONS |
PRESENTATION:
“Auditioning: Stage vs Screen" |
Participants
may structure their time including Q & A, monologue(s), song(s)
or a combination of all 3. If you are singing, please bring your
own CD accompaniment. |
| TINA
REAL |
CASTING
DIRECTOR |
SAN
DIEGO |
PRESENTATION:
"Breaking Into Commercials - What to expect on a commercial
audition,"
MASTER CLASS:
"Mastering the Commercial."
If you are attending Ms. Real’s Master Class, sides will be provided
at the registration table the first hour of conference. |
Ms.
Real invites you to do Q & A or to read commercial sides that
will be provided in the session. |
| MARCIA
ROSS |
EXECUTIVE
VICE PRESIDENT OF FEATURE CASTING |
WALT
DISNEY STUDIOS |
KEYNOTE:
Being An Artist in a Professional World
MASTER CLASS:
" Auditioning for Film”
If you are going to attend Ms. Ross’s Master Class, please pick
up sides at the registration table the first hour of the conference.
|
|
| DOUGLAS
C. SMITH |
ARTISTIC
DIRECTOR |
WESTVIEW
THEATRE COMPANY |
MASTER CLASS:
“The
Other Person in the Monologue"
For
beginning and intermediate actors. This class is an opportunity
to improve monologue performance by strengthening the connections
between text, context and subtext. Participants should bring the
text of a memorized monologue not exceeding 1 1/2 minutes. |
|
| ROBERT
SMYTH |
PRODUCING
ARTISTIC DIRECTOR |
LAMB'S
PLAYERS THEATRE |
|
Participants may structure their time including
Q & A, monologue(s), song(s) or a combination of all 3. If you
are singing, please bring your own CD accompaniment. |
| DEBRA
SULLIVAN |
ACTRESS |
DAMN
SKIPPY THEATREWORKS |
CO-PRESENTATION:
"The Business & the Bull of Acting For Television &
Film"
MASTER CLASS:
"How To Own The Room Once You Get In: Auditioning for Film
and Television"
|
prepare
a monologue from 1 1/2 minutes to 4 minutes that would be suitable
for television or film. |
| NANCI
WASHBURN |
PRESIDENT
AND FOUNDER |
ARTIST
MANAGEMENT AGENCY |
PRESENTATION:
“Breaking Into Voice Overs,”
PRESENTATION:
“Resume Preparation and Headshots”
MASTER CLASS:
“Film, Soaps, Episodics and New Media.”
Ms. Washburn will provide sides in class for her Master Class.
|
|
| BRIAN
WELLS |
ARTISTIC
DIRECTOR |
STARLIGHT
THEATRE |
PRESENTATION:
“Musical Theatre – Finding The Right Song for You and Your Audition”
MASTER CLASS:
"Refining the Best Song for You and Your Audition.”
For his Master Class Mr.
Wells asks those who would like to perform in class to bring a
selection of songs, one minute in length. Bring a CD and or sheet
music accompaniment. |
Mr.
Wells invites you to do simple Q & A or to sing one or more
of your one minute songs. Please bring your own CD accompaniment. |
| SAM
WOODHOUSE |
ARTISTIC
DIRECTOR |
SAN
DIEGO REPERTORY THEATRE |
MASTER CLASS:
“Transforming Your Monologue Into Memorable Theatre”.
Actors wishing to perform should prepare a 3 to 4 minute monologue.
|
Those
wishing to schedule Audition Consultation Appointments with Mr.
Woodhouse should feel free to structure their appointment with songs
or monologues of their own selection. If you are singing, please
provide your own CD of accompaniment. |
| GARY
ZUCKERBROD |
CASTING
DIRECTOR |
CASTING
SOCIETY OF AMERICA 2002-04 |
PRESENTATION:
“Practicalities of Being An Actor In New York and Los Angeles.” |
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